Kush I: Solid Ground




Looking for a modern-day roots reggae album that offers something fresh and different from the oft-times predictable music coming from yard? Errol “Kush I” Henry sounds a little like Garnett Silk, which is no bad thing except there’s a lighter feel to his vocals that would lend itself just as happily to soul or r & b. He’s a good songwriter too, whether delivering breezy reggae gospel on songs like Conference Table, Frankincense, Living Again and Seek Ye First, or shedding conscious light on everyday concerns, as heard on Be Yourself, Poor Man’s Love and Nothing But Dust, on which he implores us “never to lean upon our understanding” but always seek to widen our perspective.

Organise reveals a more uncompromising side to his oeuvre as urges black people to “organise, sit down, reason and talk, otherwise Babylon gonna kill you off…” Toxic Rain is another hard-hitting roots number – a flash of hard, cold steel in an otherwise unbroken outpouring of Rasta love and principles. Even his more romantic songs like Love Fool, Mother Of Eternity, Run Come Love You and Sweetest Affection never stray from this benign and all-embracing worldview.

By Kush I’s reasoning it’s time for people to prove themselves and he’s done exactly that on this impressive debut. Each and every element – vocals, writing, rhythms and production – is first-rate and borrowing Luciano’s backing singers, the Daffodils, as well as Dean Fraser, Paul “Lymie” Murray, members of the Firehouse Crew and other top-flight JA session musicians was a smart move too! Every track is finely crafted as a result, whilst recording took place at a variety of studios, including Anchor, Tuff Gong, Mixing Lab, Mafia & Fluxy’s and Star Trail.




About johnmasouri
John Masouri is a long-time author and music journalist specialising in reggae and its many off-shoots including dub, ska, roots and dancehall. The author of Wailing Blues: The Story of Bob Marley's Wailers, published by Omnibus Press in 2008, he is currently working on a biography of reggae singer Peter Tosh, due to appear next year. In addition to book projects, he continues to write articles and reviews for Reggae Vibes (France), Riddim (Germany) and Echoes - formerly Black Echoes - which is renowned as Britain's No. 1 black music monthly. His work has also appeared in Mojo, Music Week, the Guardian, the Observer and the NME, as well as magazines in the US, Caribbean and Japan.

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